Free Font: Code

by Philipp {FreeTypography.com} on June 15, 2010 · 6 comments

Another fantastic free font by Fontfabric is the new one Code.

Description: Code free font is applicable for any type of graphic design – web, print, motion graphics etc and perfect for t-shirts and other items like posters, logos.

Languages: Languages: Afrikaans, Alsatian, Basque, Bislama, Breton, Catalan, Chamorro, Danish, Dutch, English, Faroese, Finnish, Flemish, Franco-Provencal, French, Frisian, Friulian, Galician, German, Greenlandic, Icelandic, Indonesian, Irish, Italian, Ladin, Latin, Luxembourgish, Malay, Manx Gaelic, Norwegian (Bokmål), Norwegian (Nynorsk), Occitan, Portuguese, Rhaeto-Romance, Romansh, Sami (Inari), Sami (Lule), Sami (Northern), Sami (Skolt), Sami (Southern), Scottish Gaelic, Spanish, Swahili, Swedish, Tagalog, Walloon, Welsh

Format: Opentype (.otf) Compatible: PC & Mac Details: 192 Character Set, Manual Kerning, Tracking / Pairs Price: Free

Popularity: 38% [?]

{ 6 comments }

Free Font: Oh! Mai Mai!

by Philipp {FreeTypography.com} on June 15, 2010 · 9 comments

Great Designer Jorge Artola released the Experimental Typography/Character Design Project with the free font Oh! Mai Mai!. To Download click through on the site Oh Mai Font site.

Popularity: 38% [?]

{ 9 comments }

Free Font: DAN

by Philipp {FreeTypography.com} on May 10, 2010 · 3 comments

DAN free font is applicable for any type of graphic design – web, print, motion graphics etc and perfect for t-shirts and other items like posters, logos.

Format: Opentype (.otf) Compatible: PC & Mac Details: 280 Character Set, Manual Kerning, Tracking / Pairs Price: Free

Popularity: 35% [?]

{ 3 comments }

Free Font: BS Kon­stata

by Philipp {FreeTypography.com} on May 1, 2010 · 5 comments

A new fresh font by the german designer David Waschbüsch is called BS Kon­stata and available in TrueType Font and Open­Type Font.

The now released »BS Kon­stata« is really a nice font. Cre­ated for use as sten­cil for sin­age it fea­tures a set of only 10 dif­fer­ent ele­ments out of which you can com­pose the com­plete typeface. There­fore it bor­ders between being some­what grungy, mod­u­lar and classic.

BS Kon­stata is sup­posed to be stenciled with closed coun­ters – which is pos­sible due to the mod­u­lar stys­tem. In fact there are no bridges in it at all. It con­sists of a com­plete set of uni­case let­ters – numer­als are ment to be done als roman num­bers, ger­man umlaute are includes as ue (ä), oe (ö), ae (ä) and ss (ß). Any medium will do the job but I sug­gest using fast dry­ing paint like Placka, Edding or Montana 94 spray-paint to speed up the pro­cess of com­pos­ing all elements.

On the key­board you will find all 10 ele­ments on the pos­i­tion of numer­als (0-9); a set of fully com­posed char­ac­ters on the pos­i­tion of lower­case let­ters (a-z incl. ü, ö, ä, ß); and every let­ters com­posed into the low­est pos­sible num­ber of parts (max­imal two, often only one) at the pos­i­tion of cap­ital letters.

Popularity: 35% [?]

{ 5 comments }

Free Font: Neu Eichmass

by Philipp {FreeTypography.com} on April 19, 2010 · 72 comments

Lovely free font Neu Eichmass, from russian designer Ivan Khmelevsky, is great for big headlines.

100 grams is a metric unit widely used in retail. On every example of food packaging we are presented with information concerning the total weight of the contents enclosed. Using 100 grams as a point of reference, we are also provided with a break down of the nutritional content of the ingredients e.g. fat, fibre, carbohydrate etc..

Weight as a concept is also closely related to typography -  the weight of black text on a white page, the different weights in a single type family: light, regular, bold and black… Throughout the history of type the term ‘weight’ has been referred to in a kind of virtual sense as opposed to reflecting the literal meaning of the word. Of course wooden and metal type did have a genuine physical weight, however in typographic terms, weight was simply used as a figure of speech to describe the visual
appearance of a typeface.

Neu Eichmass – New Etalon in german, is a typeface based on the weight – 100 grams. The name is a reference to International Prototype kilogram as a base unit of mass in the International System of Units. The typeface has a modern, cold and measured feel to it, reflecting its origin – it’s metal ‘parents’. It is a sans serif font, taking inspiration from famous grotesques as well as stenciled types associated with market places and street traders. Further inspiration comes from 1920’s and 30’s constructivism. The typeface may, in the future, expand into a type family – the bold weight could become a kilogram, the light weight could be a gram and so on.

The font can be easily stenciled, and it’s application is appropriate for different usages e.g. for street art, for retail purposes suitable for independent shops and street markets, as well  as a headline font and a medium point body text suitable for print.

Popularity: 61% [?]

{ 72 comments }

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